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Carl Larsson
pa modellbordet
akvarell 1906
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Carl Larsson
rouge et noir
akvarell 1906
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Carl Larsson
portratt av oscar levertin
olja 1906
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Carl Larsson
nejlikor och vallmo
olja 1906
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Carl Larsson
blomsterrabatt
kol och kritor 1906
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Carl Larsson
kersti
olja pa duk 1907
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Carl Larsson
esbjorn
olja pa dorrspegel 1906
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Carl Larsson
alvdans
olja pa dorrspegel 1906
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Carl Larsson
flicka som vafver roda guldband
litografi 1907
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Carl Larsson
mor kersti-mitt nordiska museum
ingar i at solsidan akvarell 1907
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Carl Larsson
dekorativ utsmyckning pa skorstensstock pa spadarvet
alfresko 1907
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Carl Larsson
dekorativ utsmyckning pa skorstensstock pa spadarvet
alfresko 1907
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Carl Larsson
are vare gud i hojden
alfreskomalning i elementarlaroverket for flicka i falun, aven kallad valhalla 1907
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Carl Larsson
flicka med gungstol
akvarell 1907
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Carl Larsson
nu ar det jul igen
skiss till nu ar det jul igen
akvarell 1907
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Carl Larsson
martina i tradgarden
akvarell troligen 1907
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Carl Larsson
varen-flicka vid bjork
akvarell 1907 titelblad for varen ar 1908, utgiven av goteborgs och vastra sveriges prassforening samt svenska journlistforeningens goteborgskrets
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Carl Larsson
kersti -ungflicksportratt av kersti
olja 1907
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Carl Larsson
karin vid stranden-eftersommar
ingar i at solsidan publicerad 1910
akvarell 1908
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Carl Larsson
lisbeth i sundbornsdrakt
akvarell 1908
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| Carl Larsson
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Swedish Realist Painter, 1853-1919
Swedish painter, illustrator and printmaker. He came from a poor family and studied (1866-76) at the Konstakademi in Stockholm, supporting himself throughout this period. From 1871 to 1878 he contributed illustrations to the comic journal Kaspar and the Ny illustrerad tidning. From 1875, for several decades, he was a prolific book illustrator, his most renowned work in this field being his drawings for Föltskärns beröttelser ('The Barber-surgeon's tales'; pubd 1883-4) by Zacharius Topelius, and the Rococo-inspired watercolours for the Samlade skaldeförsök ('Collected attempts at poetry'; pubd 1884) by the 18th-century Swedish author Anna Maria Lenngren.
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